|
"Waterfall" (Jamaica, New York:
The Oracle, XV:3, May 1926):11-13, 41 [story written for the
literary
magazine of Jamaica High
School in Queens, New York]
"Spire Song" (Paris: transition, 12, March 1928):120-122
[early poem]
"Entity" (Paris: transition, 13, "American Number",
summer 1928):219-220 [early poem]
"The Path to the Pond" (Charlottesville, Virginia, The
Virginia Spectator, LXXXIX:5, February 1929):236
"Blessed Be the Meek" (Paris: Tambour, 4, September
1929):9
"The Church" (Albuquerque, New Mexico: The Morada, 1,
Fall 1929):11
"Gravure sur eau" (Liege, Belgium: Anthologie du Group
Moderne d'Art, XI:3, January-February 1930):10
"Lucidity" (Richmond, Virginia: The Messenger, LVI:4,
March 1930):10
"Taedium Cupiditatis" (Blues, 8, Spring 1930):13
[poem]
"No Whining Thing" (Guadalajara, Mexico: Palms, VII:5,
April 1930):139-140
Two Poems (New York: Modern Editions Press, 1933) [Paul Bowles's
first printed book comprising
two poems: "Watervariation"
and "Message"]
"Erfoud" (Liege, Belgium: Anthologie du Groupe Moderne
d'Art, XVII:5, June/July 1936):6
"Bluey: Passages from an Imaginary Diary" [by "Paul
Bowlesaged 9"] (New York: View, Series 3,
no. 3, October 1943: 81-82).
Reprinted as "Bluey" in A Night with Jupiter and Other
Fantastic Stories, edited
by Charles Henri Ford (New York: View, 1945) [Story]
"The Point of View", preface to Tropical Americana,
a special issue edited by Paul Bowles.
(New York: View,
Series 5, May 1945)
"Doña Faustina" (New York: View, 1945)
"The Scorpion" (New York: View, 5:5, December 1945;
Life and Letters, July 1948)
"Music" (New York: Mademoiselle, March 1946):211,
311-313
"By the Water" (New York: View, 7, No. 1, October
1946) [Short Story]
"The Echo" (New York: Harper's Bazaar, September
1946; All Problems Are Simple and Other Stories, edited by Robert Benard, Dell, 1988)
"A Distant Episode" (Partisan Review, XIV:1,January-February
1947; New Directions in Prose and
Poetry #10, December
1948; The Best American Short Stories 1948, edited by Martha
Foley,
Houghton Mifflin, 1948)
[Short Story]
"Under the Sky" (London: Horizon: A Review of Literature
and Art, Vol. XV, No. 87, June 1947,
edited by Cyril Connolly;
Partisan Review, XV:3, March 1948; New York: The Dude: the
magazine devoted to
pleasure, March 1957; The Best American Short Stories 1949,
edited by
Martha Foley, Houghton Mifflin,
1949) [Story]
"Call at Corazón" (New York: Harper's Bazaar,
October 1947) [Short Story]
"You Are Not I" (New York: Mademoiselle, January
1948) [Short Story]
"At Paso Rojo" (New York: Mademoiselle, September
1948) [Short Story]
"Pastor Dowe at Tacaté" (New York: Mademoiselle,
February 1949; The Best American Short
Stories 1950, edited
by Martha Foley, Houghton Mifflin 1950) [Short Story]
The Sheltering Sky (London: John Lehmann, September 1949; New
York: New Directions, October 1949;
New York: Vintage, 1990; New York: HarperCollins, 1998; New York:
The Library of America,
2002, combined with Let It Come Down and The Spider's House,
in one volume)
[Paul Bowles's First novel]
"The Delicate Prey" (Tangier: Zero Anthology of Literature
and Art, No. 2, Summer 1949, edited by Themistocles
Hoetis, also known as: G. P. Solomos)
"Pages from Cold Point" (New York: Wake, 8,
Autumn 1949; Norfolk, Connecticut: New Directions in Prose
and Poetry, #11, December 1949)
"How Many Midnights" (London: World Review, 14, April
1950):34-43 [Short Story]
"By the Water" (London: The Penguin New Writing 39,
1950) [Short Story]
A Little Stone (London: John Lehmann,
1950) [First Collection of Short Stories]
The Delicate Prey and Other Stories (New York: Random House,
1950; Ecco Press, 1972; New York:
HarperPerennial, 2006) [Collection
of short stories, including "Pages from Cold Point", "Tea
on the
Mountain", "The
Circular Valley" and "The Fourth Day Out from Santa Cruz"]
"Doña Faustina" (Norfolk, Connecticut: New Directions
in Prose and Poetry #12, December 1950)
"Fez" (Philadelphia: Holiday, VIII:1, July 1950) (Read
this article.) [Travel Writing]
"Señor Ong and Señor Ha" (New York: Mademoiselle,
July 1950)
"The Successor" (published in Esquire magazine as
"A Gift for Kinza", March 1951)
No More Djinns (American Mercury, LXXII: 330, June
1951)
Let It Come Down (London: John Lehmann, 1952; New York: Random
House, 1952. First French
edition, Après
toi le déluge, Paris: Gallimard, 1955; New York: Harper/Collins,
1981; New York: HarperPerennial,
2006) [Novel]
Notes Mailed at Nagercoil, 1952 (Published in Their
Heads Are Green and Their Hands Are Blue)
[Travel essay]
"The Secret Sahara" ["Baptism of Solitude"] (Philadelphia:
Holiday, 13:1, January 1953) [Travel Writing]
"Paris! City of the Arts" (Philadelphia: Holiday,
13: 4, April 1953) [Travel Writing]
"The Celebration" (Geneva, New York: Hobart Review,
IV:1, May 1953):14-17
If I Should Open My Mouth (The London Magazine,
Volume 1, No. 3, April 1954)
"The Alleys of Marrakesh" (The London Magazine, Volume
1, No. 5, June 1954) [Review by Peter Mayne]
"Letter from Tangier" (The London Magazine, Volume
1, No 6, July 1954)
"Windows on the Past" (Philadelphia: Holiday, January
1955) [Travel Writing]
"Europe's Most Exotic City" ["A Man Must Not Be Very
Moslem"] (Philadelphia: Holiday, May 1955)
[Travel Writing]
The Spider's House (New York: Random House, 1955; London: Macdonald,
1957; London:
Peter Owen, 1995) [Novel
set in Fez (Fès)]
"Fish Traps and Private Business" (Zero, Spring 1956)
"View From Tangier" (New York: The Nation, June 30,
1956)
"The Incredible Arab" ["Mustapha and His Friends"]
(Philadelphia: Holiday, August 1956) [Travel Writing]
"Parrots I Have Known" ["All Parrots Speak"] (Philadelphia:
Holiday, November 1956) [Travel Writing]
The Hours After Noon (New York: Zero Anthology of Literature
and Art, No. 8, edited by
Themistocles Hoetis, The
Zero Press, 1956; London: Heinemann, 1959)
"From Notes Taken in Ceylon" (Zero Anthology of Literature
and Art, No. 7, edited by Themistocles
Hoetis. New York: The Zero
Press, Spring 1956)
"Letter From Morocco" (New York: The Nation, December
22, 1956)
Yallah, with photographs by Peter W. Haeberlin (1956, Zürich:
Conzett & Huber; [in German]
Zürich: Manesse, 1956;
New York: McDowell & Obolinsky, 1957; London: Merlin Press, 1958)
"How to Live on a Part-Time Island" (Philadelphia: Holiday,
March 1957) (Read
this travel article.)
"The Delicate Prey" (New York: The Gent, No.
4, April 1957)
"Letter from Kenya" (New York: The Nation, CLXXXIV:21,
May 25, 1957):466-468
"Notes on a Visit to India" (New York: Harper's Magazine,
July 1957)
"Post Colonial Interlude in Tangier" (Cape Town, South Africa:
Africa South, 1957)
"The Frozen Fields" (New York: Harper's Bazaar, July
1957; The Best American Short Stories 1958,
edited by Martha Foley and
David Burnett, Houghton Mifflin, 1958) [Short Story]
"The Worlds of Tangier" (Philadelphia: Holiday, March
1958) (Read
this travel article.)
"Tapiama" (London: The London Magazine, May 1958)
[Short Story]
"Dimension of Love", Paul Bowles' essay-review of Balthazar
by Lawrence Durrell (Saturday Review,
August 23, 1958)
The Hours After Noon (London: Heinemann, 1959) [Short Stories]
"The Moslems" ["Africa Minor"] (Philadelphia:
Holiday, XXV:4, April 1959) [Travel Article]
Burroughs in Tangier (Chicago: Big Table, No. 2,
Summer 1959) [Paul Bowles' memoir of his early encounters
with William S. Burroughs in Tangier, Morocco]
"He of the Assembly" (Chicago: Big Table, 1960)
Ketama-Taza (New York: Kulchur, Spring 1960)
"Madeira" (Philadelphia: Holiday, September 1960)
[Travel Article]
"The Story of Lachen and Idir"
(published as "Merkala Beach" in The London Magazine,
Volume 7,
No. 10, October 1960)
"The Ball at Sidi Hosni" (New York: Kulchur, 2, Winter
1960/61): 8-14
"A Friend of the World" (London: Encounter, March
1961)
A Hundred Camels in the Courtyard (San Francisco: City Lights
Books, September 1,1962)
[Short Stories]
"The Hyena" (Transatlantic Review, Winter 1962; Stories
from the Transatlantic Review, edited
by Joseph F. McCrindle,
Penguin 1974; The Campfire Collection, edited by Eric B. Martin;
Chronicle, 2000)
"Journey Through Morocco" ["The Route to Tassemsit"]
(Philadelphia: Holiday magazine,
February 1963) (Read
this travel article.)
"Tangier" (New York: Gentlemen's Quarterly, October
1963) [Travel Article]
Their Heads Are Green (London: Peter Owen, 1963; 2000); republished
as Their Heads Are Green and
Their Hands Are Blue:
Scenes From The Non-Christian World (New York: Random House, 1963;
New York, Ecco Press, 1984;
Ecco / HarperCollins, 1994; New York: HarperPerennial, 2006)
[Collection of Travel Essays]
"The Garden" (Lausanne: Art and Literature: an International
Review, No. 3, Autumn/Winter 1964)
"Zany Costa del Sol" (Philadelphia: Holiday, April
1965) [Travel Article]
Up Above the World (New York: Simon and Schuster, 1966; London:
Peter Owen, 1967) [Novel]
"Casablanca" (Philadelphia: Holiday, September 1966)
[Travel Article]
The Time of Friendship: A Volume of Short Stories (New York:
Holt, Rinehart and Winston, 1967)
[Collection of Short Stories
including "The Time of Friendship" and "If I Should
Open My Mouth"]
Scenes (Los Angeles: Black Sparrow Press, 1968) [Nine Poems]
"Café in Morocco" (Philadelphia: Holiday magazine,
August 1968) [Travel Article]
Pages from Cold Point and Other Stories (Los Angeles: Black
Sparrow Press, 1968; London:
Peter Owen, 1968) [Collection
of Short Stories]
"The Garden" (Bombay: Illustrated Weekly News of India,
March 8, 1970)
"Afternoon with Antaeus" (Tangier: Antaeus, 1, Summer
1970)
"What's So Different About Marrakesh?" (New York: Travel
and Leisure, Volume 1, June-July 1971),
pp. 35-37, 40
"Acrostic Notes" (Transatlantic Review, Winter
1971)
"Acrostic Notes" and "Interview with Paul Bowles"
(Mediterranean Review, Winter 1971)
"When" (New York: Deliria, I:1, Winter 1971)
"From Notes in Thailand" (New York: Prose, No. 4,
Spring 1972)
"Early 1931" (Tangier, London, New York: Antaeus,
5, Spring 1972)
"A Secret" (Allentown, Pennsylvania: Hotzarouli,
May 1972)
The Thicket of Spring: Poems, 1926-1969 (Los Angeles: Black
Sparrow Press, 1972) [Poetry]
Foreword by Paul Bowles to Second Son: An Autobiography by
David Herbert (London: Peter Owen, 1972)
Without Stopping (New York: Putnam, 1972; London: Peter Owen,
1972; New York: Ecco Press, 1985.
In French: Mémoires d'un nomade, Paris: Le Seuil, 1972;
Paris: Éditions Quai Voltaire, 1989,
2006. In Spanish: Memorias de un nómada, traduccion
de Ángela Pérez, Barcelona: Ediciónes
Grijalbo, 1990. In Portuguese: Tantos caminhos: Autobiografia de
Paul Bowles, tradução
Hildegard Feist. São Paulo, Brazil: Martins Fontes, 1994) [Autobiography]
"Mejdoub" (Tangier, London, New York: Antaeus, 13/14,
"Special Fiction Issue," Spring/Summer 1974)
"The Fqih" (San Francisco: Bastard Angel, 3, Fall
1974)
"Berber Tales" (Tangier, London, New York: Antaeus,
16, Winter 1975) [Stories: "The Sultan and the Woodcutter",
"The Ewe and the Vulture", "The Moslem and the Jew",
"A Dream", translated from the
French by Paul Bowles)
"Morocco Perceived" (Chicago: Esquire, March 1975)
Three Tales ["Afternoon with
Antaeus"; "The Fqih"; "Mejdoub"]. (New York:
Frank Hallmann, 1975)
[Short Stories]
"Things Gone and Things Still Here" (San Francisco: Rolling
Stone magazine, January 15, 1976)
Next to Nothing (Kathmandu, Nepal: Starstreams, no.
5, 1976)
"Istikhara, Anaya, Medagan and the Medaganat" (Tangier,
London, New York: Antaeus, 21/22, Spring/Summer
1976)
"Allal" (San Francisco, Rolling Stone magazine, January
27, 1977)
"Reminders of Bouselham" (Transatlantic Review, June
1977)
Things Gone and Things Still Here (includes "You Have
Left Your Lotus Pods on the Bus", written in 1971,
and "The Waters of Izli"). (Santa Barbara: Black Sparrow
Press, July 5, 1977)
"The Eye" (Columbia, Missouri: The Missouri Review,
Fall 1978; The Best American Short Stories 1979, edited
by Joyce Carol Oates and Shannon Ravenel, Houghton Mifflin,1979; Ellery
Queen's Mystery Magazine,
January 1, 1981)
"Here to Learn" (Tangier, London, New York: Antaeus,
34, Summer 1979; published in French as
"L'Education de Malika",
translated from the English by Claude Nathalie Thomas, Paris: Mille
et une Nuits, 1997; and
also in Réveillon à Tanger , Paris: Quai Voltaire,
1997)
"Midnight Mass" (Tangier, London, New York: Antaeus,
32, Winter 1979) [Short Story]
Collected Stories, 1939-1976, with an introduction by Gore
Vidal (Santa Barbara: Black Sparrow Press,
1978, 1979, 1983, 1989, 1997)
"The Dismissal" (Tangier, London, New York: Antaeus,
37, Spring 1980)
"Madame and Ahmed", "Kitty" and "An Open
Letter" (Tangier, London, New York: Antaeus, 38, Summer
1980)
"Bouayad and the Money" (Amsterdam: Ins and Outs: A Magazine
of Awareness, Nos. 4/5, July 1980)
"The Husband" (Ann Arbor: Michigan Quarterly Review,
Winter 1980)
"At the Krungthep Plaza" (Princeton, New Jersey: Ontario
Review, Fall-Winter 1980-1981)
"The Eye" (New York: Ellery Queen's Mystery Magazine,
January 1, 1981)
Next to Nothing: Collected Poems,1926-1977
(Santa Barbara: Black Sparrow Press, 1981) [Poetry]
"The Little House" (Tangier, London, New York: Antaeus,
40/41, Spring 1981)
"Rumor and a Ladder" (San Francisco: The Threepenny Review,
Spring 1981)
In the Red Room (Los Angeles:
Sylvester & Orphanos, 1981; Antaeus, Autumn 1981; The Best
American Short Stories
1984, edited by John Updike and Shannon Ravenel, Houghton Mifflin,
1984;
London Magazine,
Volume 25, No 3, June 1985) [Short Story]
"Massachusetts 1932" (New York: Conjunctions, 5,
pp. 122-126, edited by Bradford Morrow, Fall 1983)
Midnight Mass (Santa Barbara: Black Sparrow Press, 1981; London:
Peter Owen, 1985)
Points in Time (London: Peter Owen, 1982; New York: Ecco Press,
1984; New York: HarperPerennial,
2006)
"Fez" (Philadelphia: Holiday, 1984) (Read
this travel article.)
"Dignity and Discretion" (Baltimore: Exquisite Corpse,
May-July 1984)
"An Island of My Own" (San Francisco: Great Escapes, a section
of the San Francisco Examiner &
Chronicle, March
24, 1985). (Read
this travel article.)
"Julian Vreden" (Berkeley, California: The Threepenny
Review, VI:3, Fall 1985)
"Wreckage" (Paris, France: Frank, I:4, Summer/Autumn
1985)
Call at Corazón and Other Stories [includes "Monologue,
Tangier, 1975", "Monologue, Massachusetts
1932", "Monologue,
New York 1965" and "In Absentia"] (London: Peter Owen,
1988)
Unwelcome Words: Seven Stories (Bolinas, California: Tombouctou
Books, 1988); also published in Spanish
as Palabras ingratas, translated by Rodrigo Rey Rosa. (Buenos
Aires: Alfaguara Litteratus,
1993) [Short Stories]
A Distant Episode: The Selected Stories (New York: The Ecco
Press, 1988)
Gesang der Insekten: Roman (First German edition of Up Above
the World, translated from the English
by Pociao de Hollanda). (München: Goldmann Verlag, 1988)
Misa de Gallo [English title: Midnight Mass], traducción:
Guillermo Lorenzo (Madrid: Alfaguara Litteratus,
1989)
A Thousand Days for Mokhtar (London: Peter Owen, 1989)
Two Years Beside the Strait: Tangier Journal, 1987-1989 (British
edition: London: Peter Owen, 1989);
published in the United
States as Days, Tangier Journal: 1987-1989 (New York: The Ecco
Press, 1991; reprinted in
paperback as Days: A Tangier Diary (New York: HarperPerennial,
2006)
Entity and Delicate Song, in transition:
A Paris Anthology (New York: Anchor Books, 1990)
Too Far from Home, with 28 watercolors from Mali by Miquel
Barceló (Zürich: Edition Gallery Bruno Bischofberger,
1992; London: Peter Owen, 1994, with drawings by Marguerite McBey
[Novella]
A foreword by Paul Bowles to Relations and Revelations by David
Herbert (London: Peter Owen, 1992)
"The Sky", an essay by Paul Bowles (March 1993) in Portraits, Nudes, Clouds: A Book of Photographs by Vittorio Santoro (Zürich: Memory/Cage Éditions, 1993) pg. 17 (Also contains essays by Paul Groot and Daniel Kurjakovic) Too Far from Home: Selected Writings of Paul Bowles, edited
by Daniel Halpern; introduction by Joyce Carol
Oates (New York: The Ecco Press, 1993)
17 Quai Voltaire, translated by Claude Nathalie Thomas. (Paris:
Quai Voltaire, 1993)
The Portable Paul and Jane Bowles, edited by Millicent Dillon
(New York: Penguin, 1994)
"You Have Left Your Lotus Pods on the Bus" (The Literary
Traveler, Viking 1994)
Too Far from Home, with drawings by Marguerite McBey (London:
Peter Owen, 1994) [Novella]
The Time of Friendship, story by Paul Bowles, with a preface
by the author and photographs by Vittorio
Santoro (Zürich: Memory/Cage
Editions, 1995)
A preface written by Paul Bowles to Morocco: Sahara to the Sea,
photographs and text by Mary Cross,
with an introduction by
Tahar Ben Jelloun (New York: Abbeville Press Publishers, 1995)
No Eye Looked Out from Any Crevice, small limited edition book
of a 1928 poem, with an introduction by Lee
Perron (San Francisco: Cadmus Editions, 1997)
Réveillon à Tanger (Paris: Livre de Poche, 1997)
L'Education de Malika, translated
from the English by Claude Nathalie Thomas; originally titled as
Here to Learn (Paris:
Mille et une Nuits, 1997)
"Pages From Cold Point", Fetish: An Anthology, edited
by John Yau (Four Walls Eight Windows,
October 1998)
"The Wind at Beni Midar", The Walls of Illusion,
edited by Peter Haining (London: Souvenir Press Ltd.,
1998)
"Ahmed Yacoubi As Painter", written on December 11, 1993
(Dayton, Ohio: Nexus, vol. 33, no. 2, winter
1998): 105 (Read
this article in its entirety.)
Yesterday's Perfume: An Intimate Memoir of Paul Bowles, essays
and picture captions by Paul Bowles,
photographs and diary entries by Cherie Nutting (New York: Clarkson
Potter / Random House, 2000)
[Note: Contains Paul Bowles' last writings.]
Stories, with an introduction by James Lasdun (London: Penguin
UK, 2000) [paperback]
The Stories of Paul Bowles, with an introduction by Robert
Stone (New York: The Ecco Press / Harper
Collins, 2001; New York: HarperPerennial, 2003; New York: HarperCollins, 2006) [Includes "By the Water", "Pastor Dowe at Tecaté", "Call at Corazón" and "A Distant Episode".]
Collected Stories and Later Writings (New York: Library of
America, 2002)
The Sheltering Sky; Let It Come Down; The Spider's House (New
York: Library of America, 2002)
[All books are in one volume.]
Pages From Cold Point (London: Peter Owen Publishers, 2005)
[paperback]
Days: A Tangier Diary (New York: HarperPerennial, 2006) [Paperback
reprint of Days: Tangier Journal:
1987-1989]
|
PAUL BOWLES' TRANSLATIONS
OF MOROCCAN AND OTHER WRITERS
|
|
|
|
(Chronological)
|
Arthur Hoerée, "The Renaissance of Choral Music",
translated from the French by Paul Bowles
(New York: Modern Music,
IX:2, January-February 1932):51-61
Guido Gatti, "Italy's New Recruits", translated from the
Italian by Paul Bowles (New York: Modern
Music, XI:2, January-February
1934):95-99
Giorgio de Chirico, "Hebdomeros (Part I)", translated from
the French by Paul Bowles (New York: View,
Series 4, October 1944)
Francis Ponge, A New Introduction to the Pebble (View,
5:4, November 1945)
Jean Ferry, She Woke Me Up so I Killed Her. (View,
5:5, December 1945)
Germain Brice, Letter From France" (View, 6:1, February
1946)
Roger Frison-Roche, The Lost Trail
of the Sahara, translated from the French by Paul Bowles (New
York:
Prentice-Hall, 1951, 1952)
Jean-Paul Sartre, No Exit (A Play in One Act), adapted from
the French by Paul Bowles and produced as
No Exit in 1946 on
Broadway in New York at the Biltmore Theatre (New York: Samuel French,
1958)
Ahmed Ben Driss el Yacoubi, "The Man and the Woman", taped
from the Moghrebi and translated by Paul
Bowles (Zero Anthology
of Literature and Art, No. 8, edited by Themistocles Hoetis. New
York:
The Zero Press, 1956)
Isabelle Eberhardt, "Criminal", translated from the French
by Paul Bowles (Tangier: Antaeus, 6, Summer 1972):79-83
Ahmed Yacoubi, "The Night Before Thinking", taped from the
Moghrebi and translated by Paul Bowles
(Evergreen Review,
Vol. 5, No. 20, September/October 1961) [a play]
Driss ben Hamed Charhadi (Larbi Layachi), "The Orphan",
(Evergreen Review, No. 26, Sept-Oct 1962)
Driss ben Hamed Charhadi (Larbi Layachi), A Life Full of Holes,
a novel recorded from the Moghrebi and
translated into English
and with an introduction by Paul Bowles (New York: Grove Press, 1964;
London: Weidenfeld and Nicolson,
1964; Edinburgh: Rebel Inc., 1999)
Abelqader ben Mohammed el Fahsi, "Omar the Truckdriver"
(Genesis West 2, Winter-Spring 1964,
pp. 151-157)
Driss ben Hamed Charhadi (Larbi Layachi), "The Oven", translated
from the Moghrebi (Transatlantic
Review, Number 16,
Summer 1964, pp. 38-49)
Mohammed Mrabet, Love with a Few Hairs, taped and translated
from the Moghrebi (London: Peter
Owen, 1967; New York:
George Braziller, 1968; San Francisco: City Lights Books, 1986; Fez,
Morocco: Moroccan Cultural
Studies Centre, 2004, with an introduction by Brian T. Edwards).
[An Arabic translation by Abdelaziz Jadir of Mohammed Mrabet's Love
with a Few Hairs is currently in preparation.]
Mohammed Mrabet, The Lemon (London: Peter Owen, 1969; New York: McGraw-Hill,
1969, 1972)
Mohammed Mrabet, M'Hashish (San Francisco: City Lights Books, 1969;
London: Peter Owen, 1988)
[stories]
Driss ben Hamed Charhadi (Larbi Layachi), "The Half-Brothers"
(Antaeus, No. 4, Winter 1971)
Mohammed Mrabet, Abdeslam and Amar (Omphalos, 1:1,
March 1972)
Mohammed Mrabet, "The Dutiful Son"
(San Francisco: Bastard Angel, No. 1 (Spring 1972: pp. 39-40)
Mohammed Mrabet, "Pahloul" (New York: Antaeus, Summer
1972)
Mohamed Choukri, For Bread Alone, with an introduction by Paul
Bowles (London: Peter Owen, 1973;
San Francisco: City Lights
Books, 1987)
Isabelle Eberhardt, The Convert (City Lights Anthology,
edited by Lawrence Ferlinghetti. San Francisco: City Lights Books,
1974)
Mohammed Mrabet, The Boy Who Set the Fire and Other Stories
(Los Angeles: Black Sparrow Press,
1974; San Francisco, City
Lights Books, 1988)
Mohamed Choukri, Jean Genet in Tangier, translated by Paul
Bowles, with an introduction by William S.
Burroughs (New York: The
Ecco Press, 1974)
Mohammed Mrabet, "The Prophet's Slippers" (New York: Harper's
Magazine, February 1974: pp. 78-80)
Mohamed Choukri, "Bachir Alive and Dead", translated from
the Arabic by Paul Bowles and Mohamed
Choukri (Tangier: Antaeus,
15, Autumn 1974):90-98
Mohammed Mrabet, "Like the Sahara Only Dirty" (Transatlantic
Review, Autumn-Winter, 1974)
Isabelle Eberhardt, The Oblivion Seekers and Other Stories,
with a preface by Paul Bowles
(San Francisco: City Lights
Books, 1975; London: Peter Owen, 1987)
Mohammed Mrabet, Hadidan Aharam (Sparrow 37, Los Angeles: Black
Sparrow Press, October 1975)
Mohamed Choukri, "The Converse City: five examples", translated
from the Arabic by Paul Bowles and
Mohamed Choukri (New York,
London: Transatlantic Review, 53/54, February 1976):110-124
Mohammed Mrabet, The Beach Cafe & The Voice (Santa Barbara:
Black Sparrow Press, 1976)
Mohammed Mrabet, Look & Move On, autobiography of Mrabet,
taped and translated from the Moghrebi
by Paul Bowles (Santa Barbara:
Black Sparrow Press, 1976; London: Peter Owen Publishers, 1989)
Mohammed Mrabet, Harmless Poisons, Blameless Sins (Santa Barbara:
Black Sparrow Press, 1976)
Mohammed Mrabet, The Big Mirror (Santa Barbara: Black Sparrow
Press, 1977)
Mohammed Mrabet, "El Fellah," (Outlaw Visions, Los
Angeles: Acrobat Books, 1977)
Mohamed Choukri, "Men Are Lucky", translated from the Arabic
by Paul Bowles (Tangier, London,
New York: Antaeus,
28, Winter 1978):143-160
Mohamed Choukri, Tennessee Williams in Tangier, with an introduction
by Gavin Lambert and a note
by Tennessee Williams (Santa
Barbara: Cadmus Editions, 1979)
Mohammed Mrabet, The Beach Café & The Voice, taped
and translated from the Moghrebi (Santa
Barbara: Black Sparrow Press,
1979)
Abdeslam Boulaich, Mohamed Choukri, Larbi Layachi ("The Half-Brothers"),
Mohammed Mrabet,
Ahmed Yacoubi ("The
Night Before Thinking"), Five Eyes, texts collected and
translated by Paul
Bowles, who wrote the
preface (Santa Barbara: Black Sparrow Press, 1979)
Abdelouahaid Boulaich, "Bouayad and the Money" (Amsterdam:
Ins and Outs: A Magazine of
Awareness, No. 4/5,
July 1980, pp. 10-11)
Mohammed Mrabet, "Earth", a play translated by Paul Bowles
(New York: Conjunctions, I,
Inaugural Double-Issue, edited
by Bradford Morrow, Fall 1981): 120-138
Rodrigo Rey Rosa, The Path Doubles Back, with Illustrations
by David Craven (New York: Red Ozier
Press, 1982)
Mohammed Mrabet, The Chest and The Qaftan (Bolinas, California:
Tombouctou Books, 1983)
Mohammed Mrabet, Three Tales (New York: School of Visual Arts
Press, 1983)
Léon Leal, "In the Oasis" (1984) [a story translated
from the Spanish by Paul Bowles]
Rodrigo Rey Rosa, The Beggar's Knife (San Francisco: City Lights
Books, 1985; London: Peter Owen,
1988)
Jorge Luis Borges, Giorgio de Chirico and Jean Ferry, She Woke
Me Up So I Killed Her, with an
introduction by Paul Bowles
(San Francisco: Cadmus Editions, 1985)
Mohammed Mrabet, Marriage with Papers (Bolinas, California:
Tombouctou Books, 1986)
Rodrigo Rey Rosa, Dust on Her Tongue (London: Peter Owen, 1989;
San Francisco: City Lights Review,
No. 3, 1989)
Mohammed Mrabet, Chocolate Creams and Dollars, with photographs
by Philip Taaffe (New York: Inanout
Press, 1992)
Rodrigo Rey Rosa, "The Proof" (Worlds of Fiction,
edited by Roberta Rubenstein and Charles R. Larson,
MacMillan College Division, 1993)
Rodrigo Rey Rosa, The Pelcari Project / Cárcel de Árboles,
(London: Peter Owen, 1991; Cadmus
Editions, 1997)
Mohammed Mrabet, Collected Stories (Fez, Morocco: Moroccan
Cultural Studies Centre, 2004)
Mohammed Mrabet, Love With a Few Hairs, with an introduction,
"What Happened In Tangier?", by
Brian T. Edwards (Fez, Morocco:
Moroccan Cultural Studies Centre, 2004)
Mohammed Mrabet, With Much Fire In the Heart: The Letters of Mohammed
Mrabet to Irving Stettner,
with an introductory note
by Ron Papandrea (Dallas, Pennsylvania: Stroker Press, 2004). These
letters, translated by Paul
Bowles, were originally published in various issues of Stroker
magazine
from 1979 to 1986.
|
PAUL AND/OR JANE BOWLES' LETTERS AND CORRESPONDENCE
|
Jeffrey Miller, editor, In Touch: The Letters of Paul Bowles
(New York: Farrar, Straus and Giroux, 1994)
Dear Paul, Dear Ned: The Correspondence of Paul Bowles and Ned
Rorem, with an introduction by
Gavin Lambert (North Pomfret,
Vermont: Elysium Press, 1997)
Jane & Paul Bowles, Lettres: 1946-1970, translated from
English into French by Elisabeth Peellaert, with
a preface by Michel Bulteau (Paris: Hachette Littératures,
2005)
|